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Rebbe Nachman: Practicing Rapture

מִזְמ֥וֹר לְתוֹדָ֑ה הָרִ֥יעוּ לַ֝יקוק כָּל־הָאָֽרֶץ׃ עִבְד֣וּ אֶת־יקוק בְּשִׂמְחָ֑ה בֹּ֥אוּ לְ֝פָנָ֗יו בִּרְנָנָֽה׃

A psalm for praise. Raise a shout G!d, all the earth; serve G!d, with gladness; enter the presence with joy.

(ב) א דַּע, שֶׁיֵּשׁ אוֹר, שֶׁהוּא לְמַעְלָה מִנַּפְשִׁין וְרוּחִין וְנִשְׁמָתִין, וְהוּא אוֹר אֵין־סוֹף, (ג) וְאַף־עַל־פִּי שֶׁאֵין הַשֵּׂכֶל מַשִּׂיג אוֹתוֹ, אַף־עַל־פִּי־כֵן רְדִיפָה דְּמַחֲשָׁבָה לְמִרְדָּף אַבַּתְרֵהּ, וְעַל יְדֵי הָרְדִיפָה, אָז הַשֵּׂכֶל מַשִּׂיג אוֹתוֹ בִּבְחִינַת מְטֵי וְלָא מְטֵי, כִּי בֶּאֱמֶת אִי אֶפְשָׁר לְהַשִּׂיג אוֹתוֹ, כִּי הוּא לְמַעְלָה מִנֶּפֶשׁ רוּחַ נְשָׁמָה:

(א) ב וְדַע שֶׁאִי אֶפְשָׁר לְהַשִּׂיג אוֹתוֹ אֲפִלּוּ בִּבְחִינַת מְטֵי וְלָא מְטֵי, אֶלָּא עַל־יְדֵי עֲשִׂיַּת הַמִּצְווֹת בְּשִׂמְחָה, כִּי עַל יְדֵי שִׂמְחַת הַמִּצְוָה נִשְׁלָם הַקְּדֻשָּׁה, וּמַעֲלָה הַחִיּוּת וְהַקְּדֻשָּׁה שֶׁבַּקְּלִיפּוֹת, בִּבְחִינַת אַחַד־עָשָׂר סַמָּנֵי הַקְּטֹרֶת. וְעִקַּר הַשִּׂמְחָה הִיא בַּלֵּב, כְּמוֹ שֶׁכָּתוּב (תהילים ד׳:ח׳): נָתַתָּה שִׂמְחָה בְלִבִּי.

(ג) וְגָלוּת הַשְּׁכִינָה, שֶׁהוּא בְּחִינַת לֵב שֶׁהוּא שִׂמְחָתָן שֶׁל יִשְׂרָאֵל, עִקַּר גָּלוּתָהּ – כְּשֶׁעַצְבוּת, שֶׁהֵם הַקְּלִפּוֹת, גּוֹבְרִים עָלֶיהָ, בִּבְחִינַת: וַיִּתְעַצֵּב אֶל לִבּוֹ. וְזֶה הוּא כְּשֶׁיֵּצְאוּ יִשְׂרָאֵל מֵהַגָּלוּת, כְּתִיב (ישעיה נה): כִּי בְּשִׂמְחָה תֵצֵאוּ... וְלֶעָתִיד בְּצֵאת יִשְׂרָאֵל מֵהַגָּלוּת בְּשִׂמְחָה, כְּמוֹ שֶׁכָּתוּב: כִּי בְּשִׂמְחָה תֵצֵאוּ, וְאָז יִכְלוּ הַקְּלִפּוֹת לְגַמְרֵי.

(2) Know! There is a light higher than nefesh, ruach and neshamah. This is the Light of the Infinite One.

(3) And though the intellect cannot grasp it [the Light of the Infinite One], the racing of the mind nevertheless pursues it. And by virtue of this racing, the intellect is able to grasp it in an aspect of “reaching and not reaching.” For the truth is that it is not possible to grasp it, because it above nefesh, ruach and neshamah.

(1) 2. And know! It is impossible to even grasp [the Light] in the aspect of reaching and not reaching except by performing the mitzvot (commandments/good deeds/opportunities for connection) with joy. This is because through the joy of the mitzvah, holiness is perfected. It elevates the vitality and the holiness that are in the evil forces, similar to the eleven spices of the incense...And the essence of joy is in the heart, as is written (Psalms 4:8), “You have put joy in my heart.”

(3) Now, the exile of the Divine Presence—which corresponds to the heart, the joy of Israel—is primarily when sorrow, the evil forces, overcome her. This is as in, “He felt sorrow in His heart.” Thus it is written that when the Jewish people will go out of exile (Isaiah 55:12): “For you will go out with joy.”...

10:7 And in the Future, when the Jewish people will go out of the exile with joy, as in, “For you will go out with joy”—then the evil forces will be totally destroyed.

(א) בְּעִנְיַן הַשִּׂמְחָה. (ב) עַל־פִּי מָשָׁל, שֶׁלִּפְעָמִים כְּשֶׁבְּנֵי־אָדָם שְׂמֵחִים וּמְרַקְּדִים, אֲזַי חוֹטְפִים אִישׁ אֶחָד מִבַּחוּץ, שֶׁהוּא בְּעַצְבוּת וּמָרָה שְׁחֹרָה, וּמַכְנִיסִים אוֹתוֹ בְּעַל־כָּרְחוֹ לְתוֹךְ מְחוֹל הַמְרַקְּדִים, וּמַכְרִיחִים אוֹתוֹ בְּעַל־כָּרְחוֹ שֶׁיִּהְיֶה שָׂמֵחַ עִמָּהֶם גַם־כֵּן; (ג) כֵּן יֵשׁ בְּעִנְיַן הַשִּׂמְחָה. כִּי כְּשֶׁאָדָם שָׂמֵחַ, אֲזַי הַמָּרָה שְׁחֹרָה וְיִסּוּרִים נִסְתַּלְּקִים מִן הַצַּד. (ד) אֲבָל מַעְלָה יְתֵרָה – לְהִתְאַמֵּץ לִרְדֹּף אַחַר הַמָּרָה שְׁחֹרָה דַּוְקָא, לְהַכְנִיס אוֹתָהּ גַם־כֵּן בְּתוֹךְ הַשִּׂמְחָה, בְּאֹפֶן שֶׁהַמָּרָה שְׁחוֹרָה בְּעַצְמָהּ תִּתְהַפֵּךְ לְשִׂמְחָה. שֶׁיְּהַפֵּךְ הַמָּרָה שְׁחֹרָה וְכָל הַיִּסּוּרִין לְשִׂמְחָה, כְּדֶרֶךְ הַבָּא לְתוֹךְ הַשִּׂמְחָה, שֶׁאָז מִגֹּדֶל הַשִּׂמְחָה וְהַחֶדְוָה מְהַפֵּךְ כָּל הַדְּאָגוֹת וְהָעַצְבוּת וְהַמָּרָה שְׁחוֹרוֹת שֶׁלּוֹ לְשִׂמְחָה. נִמְצָא שֶׁחוֹטֵף הַמָּרָה שְׁחֹרָה וּמַכְנִיס אוֹתָהּ בְּעַל־כָּרְחָהּ לְתוֹךְ הַשִּׂמְחָה, כַּמָּשָׁל הַנַּ"ל.

(1) On the topic of simchah (joy).

(2) An analogy: Sometimes, when people are joyous and dance, they grab someone standing outside [the circle] who is depressed and gloomy. Against his will they bring him into the circle of dancers; against his will, they force him to be happy along with them.

(3) It is the same with happiness. When a person is happy, gloom and suffering stand aside.

(4) Yet greater still is to gather courage to actually pursue gloom itself, and to introduce it into the joy, such that the gloom itself turns into joy. A person should transform gloom and all suffering into joy. It is like a person who comes to a celebration. The abundant joy and happiness then, transforms all his worries, depression and gloom into joy. We find that he has grabbed the gloom and introduced it, against its will, into the joy, as in the aforementioned analogy.

(א) מִצְוָה גְּדוֹלָה לִהְיוֹת בְּשִׂמְחָה תָּמִיד, וּלְהִתְגַּבֵּר לְהַרְחִיק הָעַצְבוּת וְהַמָּרָה שְׁחֹרָה בְּכָל כֹּחוֹ. (ב) וְכָל הַחוֹלַאַת הַבָּאִין עַל הָאָדָם, כֻּלָּם בָּאִין רַק מִקִּלְקוּל הַשִּׂמְחָה. כִּי יֵשׁ עֲשָׂרָה מִינֵי נְגִינָה, שֶׁהֵם בְּחִינַת שִׂמְחָה, כְּמוֹ שֶׁכָּתוּב (תהילים צ״ב:ה׳): עֲלֵי עָשׂוֹר וְכוּ' כִּי שִׂמַּחְתַּנִי יקוק בְּפָעֳלֶךָ וְכוּ'. (א) וְהַכְּלָל, שֶׁצָּרִיךְ לְהַתְגַּבֵּר מְאֹד בְּכָל הַכֹּחוֹת, לִהְיוֹת אַךְ שָׂמֵחַ תָּמִיד. כִּי טֶבַע הָאָדָם – לִמְשֹׁךְ עַצְמוֹ לְמָרָה שְׁחֹרָה וְעַצְבוּת מֵחֲמַת פִּגְעֵי וּמִקְרֵי הַזְּמַן, וְכָל אָדָם מָלֵא יִסּוּרִים, עַל־כֵּן צָרִיךְ לְהַכְרִיחַ אֶת עַצְמוֹ בְּכֹחַ גָּדוֹל לִהְיוֹת בְּשִׂמְחָה תָּמִיד וּלְשַׂמֵּחַ אֶת עַצְמוֹ בְּכָל אֲשֶׁר יוּכַל, וַאֲפִלּוּ בְּמִלֵּי דִּשְׁטוּתָא. (ב) אַף שֶׁגַּם לֵב נִשְׁבָּר הוּא טוֹב מְאֹד, עִם כָּל זֶה הוּא רַק בְּאֵיזוֹ שָׁעָה, וְרָאוּי לִקְבֹּעַ לוֹ אֵיזֶה שָׁעָה בַּיּוֹם לְשַׁבֵּר לִבּוֹ וּלְפָרֵשׁ שִׂיחָתוֹ לְפָנָיו יִתְבָּרַךְ, כַּמּוּבָא אֶצְלֵנוּ, אֲבָל כָּל הַיּוֹם כֻּלּוֹ צָרִיךְ לִהְיוֹת בְּשִׂמְחָה. כִּי מִלֵּב נִשְׁבָּר בְּקַל יְכוֹלִין לָבוֹא לְמָרָה שְׁחֹרָה, יוֹתֵר מֵאֲשֶׁר יְכוֹלִין לִכָּשֵׁל עַל־יְדֵי שִׂמְחָה, חַס וְשָׁלוֹם, לָבוֹא לְאֵיזֶה הוֹלֵלוּת, חַס וְשָׁלוֹם, כִּי זֶה קָרוֹב יוֹתֵר לָבוֹא מִלֵּב נִשְׁבָּר לְמָרָה שְׁחֹרָה. (ג) עַל־כֵּן צָרִיךְ שֶׁיִּהְיֶה בְּשִׂמְחָה תָּמִיד, רַק בְּשָׁעָה מְיֻחֶדֶת יִהְיֶה לוֹ לֵב נִשְׁבָּר:

(1) It is a great mitzvah to always be happy, and to make every effort to determinedly keep depression and gloom at bay.

(2) All the illnesses that afflict people are due only to flawed joy. For there are ten types of song, which are synonymous with joy, as in “Upon a ten-stringed instrument… For You caused me to rejoice by Your deeds…” (Psalms 92:4–5)...

(1) 2. The rule is that a person has to be very determined and put all his strength into being nothing but happy at all times. For human nature is to draw itself to gloom and depression on account of life’s vicissitudes and misfortunes. And every human being is filled with suffering. Therefore, a person has to exercise great effort in forcing himself to be happy at all times, and to bring himself to joy in any way he can—even with silliness.

(2) And though broken-heartedness too, is very good, nevertheless, that is only for a brief period. It is right to set aside for oneself some time in the day for feeling remorse and speaking one’s piece in the presence of the Blessed One, as is brought in our works. But the entire [rest] of the day one needs to be happy. For contrition more easily leads to depression, than erring through joy, God forbid, leads to some sort of frivolity, God forbid. For this is the more likely: that contrition will lead to gloom.

(3) One should therefore always be happy, and only at the designated time have a broken heart.

From The Tormented Master by Art Green

The central issue of [Nachman's] religious life, his constant awareness of the absence of Gd from the ordinary universe of human experience, still unique for a Hasidic master, was to become dominant in the lives of generations of Jews who came after him, most fully so for those who lived through the years of the Holocaust. His struggle, at some points with guilt and thus with his own unworthiness to evoke the presence of God, at other times with doubt, or the absence of God from those lives and moments that did seemingly merit Gd's attention, remain a single struggle. [...]

Nachman not only was a figure who personified the crisis of his age and who fought internally with issues that his contemporaries had not yet learned to articulate, but also [...] was conscious of his role as such a figure and sought the words to assert such a claim for himself.

כִּי יֵשׁ שְׁנֵי צִפֳּרִים אֶחָד זָכָר וְאַחַת נְקֵבָה וְהֵם רַק זוּג אֶחָד בָּעוֹלָם וְנֶאֶבְדָה הַנְּקֵבָה וְהוּא הוֹלֵךְ וּמְחַפֵּשׂ אוֹתָהּ, וְהִיא מְחַפֶּשֶׂת אוֹתוֹ וְהָיוּ מְחַפְּשִׂים הַרְבֵּה זֶה אֶת זֶה עַד שֶׁנִּתְעוּ וְרָאוּ שֶׁאֵינָם יְכוֹלִים לִמְצא אֶחָד אֶת חֲבֵרוֹ וְנִשְׁאֲרוּ עוֹמְדִים וְעָשׂוּ לָהֶם קִנִּים זֶה הַצִּפּוֹר עָשָׂה לוֹ קֵן סָמוּךְ לִמְדִינָה אַחַת מִשְּׁתֵּי הַמְּדִינוֹת הַנַּ"ל וְלא סָמוּךְ מַמָּשׁ רַק שֶׁבְּעֵרֶךְ קוֹל הַצִּפּוֹר הוּא סָמוּךְ כִּי יְכוֹלִים לִשְׁמעַ הַקּוֹל שֶׁל הַצִּפּוֹר בְּאוֹתוֹ הַמְּדִינָה מִמָּקוֹם שֶׁעָמַד שָׁם וְעָשָׂה לוֹ קֵן וְכֵן הִיא עָשְׂתָה לָהּ גַּם כֵּן קֵן סָמוּךְ לַמְּדִינָה הַשְּׁנִיָּה [הַיְנוּ גַּם כֵּן כַּנַּ"ל שֶׁהוּא סָמוּךְ מֵחֲמַת שֶׁיְּכוֹלִים לִשְׁמעַ שָׁם הַקּוֹל כַּנַּ"ל] וּכְשֶׁמַּגִיעַ הַלַּיְלָה אֲזַי אֵלּוּ הַזּוּג צִפֳּרִים מַתְחִילִים כָּל אֶחָד וְאֶחָד לְיַלֵּל בְּקוֹל יְלָלָה גְּדוֹלָה מְאד כִּי כָּל אֶחָד מְיַלֵּל עַל זוּגוֹ כַּנַּ"ל וְזֶהוּ הַקּוֹל יְלָלָה שֶׁנִּשְׁמַע בְּאֵלּוּ שְׁתֵּי הַמְּדִינוֹת [אֲשֶׁר מֵחֲמַת אוֹתוֹ הַקּוֹל יְלָלָה כֻּלָּם מְיַלְּלִים מְאד ...וּבַיּוֹם [אִי אֶפְשָׁר לָבוֹא לְשָׁם כִּי בַּיּוֹם] אִי אֶפְשָׁר לִסְבּל הַשִּׂמְחָה שֶׁיֵּשׁ שָׁם כִּי בַּיּוֹם מִתְקַבְּצִים שָׁם צִפֳּרִים אֵצֶל כָּל אֶחָד וְאֶחָד מֵהַזּוּג הַנַּ"ל וְהֵם מְנַחֲמִים וּמְשַׂמְּחִים אֶת כָּל אֶחָד וְאֶחָד מֵהַזּוּג הַנַּ"ל בִּשְׂמָחוֹת גְּדוֹלוֹת מְאד מְאד וְאוֹמְרִים לָהֶם דִּבְרֵי תַּנְחוּמִין שֶׁעֲדַיִן אֶפְשָׁר שֶׁתִּמְצְאוּ זֶה אֶת זֶה עַד שֶׁבַּיּוֹם אִי אֶפְשָׁר לִסְבּל אֶת גּדֶל הַשִּׂמְחָה שֶׁיֵּשׁ שָׁם

For there are two birds: one male and one female, and they are just one pair in the world. The female was lost. He goes and seeks her, and she seeks him, and they were seeking each other very long until they were lost. And they saw they could not find each other, and they stood still and they made themselves nests: The male made him a nest close to one country of the two countries mentioned above, and not really near it, just that in the measure of bird voice it is near, for they can hear the voice of the male bird in that country from the place where he stood and made him a nest. And likewise she also made her a nest near the second country (i.e. likewise, that it was near in the sense they can hear her voice there, as mentioned). And when night arrives, then this pair of birds begins each one, both of them, to wail in a very great voice of wailing, for each one wails for its mate as mentioned above. And this is the voice of wailing that is heard in these two countries, because of which voice of wailing they all wail much, and cannot sleep.

...And in the day (it is actually only to approach them in the day) it is impossible to bear the joy that is there, for in the day the birds gather by each one from the pair mentioned above, and they console and make happy each one from the pair mentioned above in very very great joys and they tell them words of consolation, that still it is possible that they find each other, until in the day it is impossible to bear the greatness of the joy that is there.

Instruction for Entering Jhana by Leigh Brasington

In this altered state of consciousness, you will be overcome with Rapture ... Euphoria … Ecstasy … Delight. These are all English words that are used to translate the Pali word piti. Piti is this physical sensation that literally takes you over and takes you into an altered state. It will be accompanied by an emotional sensation of joy and happiness. The Pali word is sukha, the opposite of dukkha [pain, suffering]. And, if you remain one-pointed on this experience of piti and sukha, that is the first jhana.

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