(ז) וַיְהִ֨י אֹמֵ֜ן אֶת־הֲדַסָּ֗ה הִ֤יא אֶסְתֵּר֙ בַּת־דֹּד֔וֹ כִּ֛י אֵ֥ין לָ֖הּ אָ֣ב וָאֵ֑ם וְהַנַּעֲרָ֤ה יְפַת־תֹּ֙אַר֙ וְטוֹבַ֣ת מַרְאֶ֔ה וּבְמ֤וֹת אָבִ֙יהָ֙ וְאִמָּ֔הּ לְקָחָ֧הּ מָרְדֳּכַ֛י ל֖וֹ לְבַֽת׃ (ח) וַיְהִ֗י בְּהִשָּׁמַ֤ע דְּבַר־הַמֶּ֙לֶךְ֙ וְדָת֔וֹ וּֽבְהִקָּבֵ֞ץ נְעָר֥וֹת רַבּ֛וֹת אֶל־שׁוּשַׁ֥ן הַבִּירָ֖ה אֶל־יַ֣ד הֵגָ֑י וַתִּלָּקַ֤ח אֶסְתֵּר֙ אֶל־בֵּ֣ית הַמֶּ֔לֶךְ אֶל־יַ֥ד הֵגַ֖י שֹׁמֵ֥ר הַנָּשִֽׁים׃ (ט) וַתִּיטַ֨ב הַנַּעֲרָ֣ה בְעֵינָיו֮ וַתִּשָּׂ֣א חֶ֣סֶד לְפָנָיו֒ וַ֠יְבַהֵל אֶת־תַּמְרוּקֶ֤יהָ וְאֶת־מָנוֹתֶ֙הָ֙ לָתֵ֣ת לָ֔הּ וְאֵת֙ שֶׁ֣בַע הַנְּעָר֔וֹת הָרְאֻי֥וֹת לָֽתֶת־לָ֖הּ מִבֵּ֣ית הַמֶּ֑לֶךְ וַיְשַׁנֶּ֧הָ וְאֶת־נַעֲרוֹתֶ֛יהָ לְט֖וֹב בֵּ֥ית הַנָּשִֽׁים׃ (י) לֹא־הִגִּ֣ידָה אֶסְתֵּ֔ר אֶת־עַמָּ֖הּ וְאֶת־מֽוֹלַדְתָּ֑הּ כִּ֧י מָרְדֳּכַ֛י צִוָּ֥ה עָלֶ֖יהָ אֲשֶׁ֥ר לֹא־תַגִּֽיד׃
(7) And he brought up Hadassah, that is, Esther, his uncle’s daughter; for she had neither father nor mother, and the maiden was of beautiful form and fair to look on; and when her father and mother were dead, Mordecai took her for his own daughter. (8) So it came to pass, when the king’s commandment and his decree was published, and when many maidens were gathered together unto Shushan the castle, to the custody of Hegai, that Esther was taken into the king’s house, to the custody of Hegai, keeper of the women. (9) And the maiden pleased him, and she obtained kindness of him; and he speedily gave her her ointments, with her portions, and the seven maidens, who were meet to be given her out of the king’s house; and he advanced her and her maidens to the best place in the house of the women. (10) Esther had not made known her people nor her kindred; for Mordecai had charged her that she should not tell it.
(יח) וְאָנֹכִ֗י הַסְתֵּ֨ר אַסְתִּ֤יר פָּנַי֙ בַּיּ֣וֹם הַה֔וּא עַ֥ל כָּל־הָרָעָ֖ה אֲשֶׁ֣ר עָשָׂ֑ה כִּ֣י פָנָ֔ה אֶל־אֱלֹקִ֖ים אֲחֵרִֽים׃
(18) And I will surely hide My face in that day for all the evil which they shall have wrought, in that they are turned unto other gods.
ויהי אומן את הדסה קרי לה הדסה וקרי לה אסתר תניא ר"מ אומר אסתר שמה ולמה נקרא שמה הדסה על שם הצדיקים שנקראו הדסים וכן הוא אומר (זכריה א, ח) והוא עומד בין ההדסים רבי יהודה אומר הדסה שמה ולמה נקראת שמה אסתר על שם שהיתה מסתרת דבריה שנאמר אין אסתר מגדת את עמה וגו' ר' נחמיה אומר הדסה שמה ולמה נקראת אסתר שהיו אומות העולם קורין אותה על שום אסתהר
“And he brought up Hadassah” (Esther 2:6). She is called Hadassah but she is called Esther. It has been taught: R. Meir says: Esther was her proper name. Why then was she called Hadassah? After the righteous who are called myrtles (hadasim), for so it says, “And he stood among the myrtle trees” (Zechariah 1:8). R. Judah says: Hadassah was her name — Why then was she called Esther? Because she concealed [masteret] the facts about herself, as it says, “Esther did not make known her people or her kindred” (Esther 2:20). R. Nehemiah says: Hadassah was her name. Why then was she called Esther? All peoples called her so after Istahar.
“Esther,” was also a prophetess as it is written, “Now it came to pass on the third day that Esther clothed herself in royalty” (Esther 5:1). Surely it should say, “royal clothing”? What it shows is that she clothed herself in the Holy Spirit.
Masking and Unmasking Ourselves: Interpreting Biblical Texts on Clothing & Identity (1 edition). Cohen, D. N. J. (2012). Woodstock, VT: Jewish Lights.
On Purim, Jews dress up and wear masks that change faces etched in pain and suffering into joy and frivolity. On the surface, it seems that Purim involves an escape from reality, one moment in which we can mask the pain and difficulties we experience and don fanciful carnival masks and costumes. All is turned on its head on Purim; even gender roles are ignored, and men and women can dress up as the other.
Yet in a deeper way, this Jewish carnival experience allows us to challenge the inevitability of things as they are inherited identities and fates. And in so doing, Purim provides us with the hope that the garments we put on that seem only to mask our present realities can reveal the deep-seated consciousness of our potential for change, our ability to bring happiness and fulfillment to our lives. Purim's masks may seem to conceal, if just for a moment, the chaos and pain of our present lives and enable us to escape this reality, but they may really offer us the chance to don serious masks of conscious determination to bring the light of the Divine into our world. Yes, God may not be mentioned in the entire book of Esther, and some have seen this as an intimation of the existence of sheer chaos in the world, where anarchy is at play.
Yet, we may ask what lies beneath a story that intimates the absence of God and meaning, and the holiday of Purim, which is about frivolity and play. Underneath the garment of the story is perhaps a glimpse of the existence of a force in the universe that can help us move beyond who we are and what our lives presently are, and enable us to become who we aspire to be. What may be necessary is for us to recognize that, unlike the Exodus story, in which God is recognized through redemptive miracles, the Purim story demands that we come to recognize the Presence of the Divine through the ability to hear the hidden voice of God. The redemptive paradigm of Esther is to see the camouflaged Divine in the darkness of our lives. Purim bespeaks the existence in the world of the light of the Divine, sparks of which are hidden beneath the surface of our lives, and ours is the task to sew those sparks into a full garment of splendor that will enhance the majesty of our souls. Perhaps that is the reason why Maimonides stated that 'all prophetic books and sacred writings will cease to be read in the messianic era except the book of Esther.'"
Rabbi Norman Cohen:
Purim’s masks may seem to conceal, if just for a moment, the chaos and pain of our present lives and enable us to escape this reality, but they may really offer us the chance to don serious masks of conscious determination to bring the light of the Divine into our world. Yes, God may not be mentioned in the entire book of Esther, and some have seen this as an intimation of the existence of sheer chaos in the world, where anarchy is at play. Yet, we must ask what lies beneath a story that intimates the absence of God and meaning, and the holiday of Purim, which is about frivolity and play.
Ba'al Shem Tov
“It is a mitzva...to dress up on Purim” - Indeed, it is a great mitzva, because in this way one cannot tell the noble man from the poor. And therefore they [the rabbis] instituted the mitzvah of gifts to the poor on Purim, because when people dress up, the mitzvah of tzedakah may be performed in its most appropriate manner [כתיקונה]. One does not know then to whom they give, and the one who receives does not know from whom they receive, and thus no one is embarrassed to appear needy and dependent on human kindness. This is the best manner of anonymous giving, when one gives while in costume to someone else in costume.
(34) a golden bell and a pomegranate, a golden bell and a pomegranate, all around the hem of the robe. (35) Aaron shall wear it while officiating, so that the sound of it is heard when he comes into the sanctuary before YHVH and when he goes out—that he may not die.
| Just as on Yom Kippur, the High Priest adorns himself with four white garments, Esther too "donned her royal garb…and stood in the inner courtyard of the king." |
Purim is so-called because of Yom HaKipurim [the Day of Atonement. But literally, "the day like ( =k’) Purim"] because in the future we will delight in that day [the Day of Atonement] and transform it from [a day of] affliction to [a day of] delight [just like Purim]… And just as on that day he [the High Priest] adorns himself with the garments of atonement [the four white garments signifying the aspect of chesed] so too, regarding Esther it is written, "and she donned her royal garb" (Esther 5:1). Just as with these[white garments, the High Priest] enters the innermost sanctuary [where he attains atonement for the Jewish People], so too, "[Esther] stood in the inner courtyard of the king" (ibid.) [dressed in her royal garb] and "she found favor in his eyes."
[From Tikkunei Zohar, Tikkun 21 p. 57b. Translated with commentary by Rabbi Moshe Miller]
LADY GAGA: FASHION SAVES LIVES
http://www.coulture.org/fashion/2017/10/12/fashion-saves-lives
Trends fade away, but style is forever, hence why an individual's fashion can become immensely powerful in how they live their lives.
In a 2014 interview, Lady Gaga argued that fashion had saved her from depression.
She told Fashion Magazine, “Fashion is that thing that saved me from being sad. I’ve always cared about my costumes and my clothes....I just want to make you feel something with what I wear. I want you to feel happy and enjoy the theatre of my life the way that I do.”
Flash forward to 2017, however, and Lady Gaga’s sense of style has changed, but not her opinions of what fashion is capable of. In her new Netflix documentary film, Gaga: Five Foot Two, Gaga explains how she has moved on from her outrageous costumes, “The methodology behind what I've done is that when they wanted me to be sexy or they wanted me to be pop, I always f#@ing put some absurd spin on it that made me feel like I was still in control," she explained.
In 2013, her sense of control was gained through her glamorous style, but as her documentary shows, she’s “bored” with glamorous and desires a new, more honest image. And now - in 2017, Gaga’s gained that control and has striped her fashion down to a basic “black t-shirt, black jeans, and black boots” uniform. It’s a toned down look that represents a more confident Gaga who is finally beginning to feel at ease with who she is as a female recording artist.
It’s a sentiment that’s followed us for ages. When you look good, you feel good. But as Gaga illustrates it also applies in the reverse--when you feel good in the clothing you wear, your confidence shines through. In a social context, it’s an incredibly powerful philosophy that can be applied to recent increased awareness in mental health.
Co-creater of Sidetrack Series (an LGBTQ webseries), Celina Vicioso, recently wrote online how being fashion-obsessed saved her from paralyzing anxiety. She reveals that fashion “...was about me, my personal style and a process I needed to take to hone in on my individuality.”
Vicioso’s ability to refine her identity through style is an incredible tool in discovering what you like, dislike, love and hate. To have this outlet allows an individual to harness a creativity that also gives them control. For Celina, fashion was her form of self-care in the face of crippling mental illness.
Gaga and Celina’s remedial sense of personal style are just two examples of how fashion harbors the potential to heal. Life lesson: Never underestimate the power of a seemingly simple black t-shirt.
See more by Rav Yaakov Medan on the connection between Purim and Yom Kippur: https://www.etzion.org.il/en/purim-and-yom-kippur